煙か土か食い物19/Note about "Kemuri ka Tsuchi ka Kuimono" ("Smoke, Soil or Sacrifices") (You know absolutely no connection with real life and families)

Here comes some effusion of the other dark side of the negativity, which he had embraced in his self during his being alive, somthing similar to nodding from a point of view, at the moment of his vanishing.

And at last when the climax of this story came here and it happened (came down the pike) that Father Maruo was stabbed with the knife by Hiroshi Nozaki, an overriding transformation was experienced by Shiro.


*I know this story line certainly works authoritatively, repressevily, overrinding-thinking-ly or bowwow-ly. So I try to lay here some kind of notes, as might be expected to be homely and unromatic. (cf. Ivan karamazof's blush and his devil who said to him something like "You still have something romantic, don't you?")